05 October 2014

Becoming a Steward of the Alcott Legacy

Turning the key in the front door of Orchard House each morning, the guides set about breathing life into the quiet house. They flutter through the rooms, waking up the house and turning on the lights. No two are alike: one is push-button, one turns to the right, one has a hanging cord. This is the house’s subtle charm, and the memorized movements of the ritual recalls a feeling of familiarity. Orchard House opens every morning, ready to greet visitors from around the world and to welcome them into the Alcotts’ home, a place that feels already familiar from Louisa's stories and books.



Often, the charming presentation of the house conceals the complexity of the system that supports it, and I don’t simply mean the finicky light switches or the expensive and up-to-code foundation put underneath the house in 2001. The guides give a voice to the lives of the Alcotts, of course, but many of the required roles that give Orchard House its charm and magic are tucked away from view. Many of these roles are also entirely voluntary, falling into the hands of stewards of the museum who act only out of their love and appreciation for the Alcotts and the many causes they upheld.

The gardens and landscape, for example, are lovingly tended by neighbors and volunteers, many of whom know with intimate detail which plants are possible descendants of those planted by Mr. Alcott in the nineteenth century and what varieties of apples once grew in the orchard. Culminating in the annual Fall Gardens and Grounds Clean-Up—taking place this year on November 15th—the important task of maintaining the landscape falls into the hands of these friends. Anyone who has enjoyed a picnic lunch under the shade of a tree on the lawn can appreciate their hard work and dedication.


Like the apples in the garden, stewards of the museum come in all varieties. Many of Orchard House’s most well-received events are enhanced by the presence of the Alcott Helping Hands and Hearts, a group of children who donate their weekends in December to participating in the annual Holiday Program, some of whom travel great distances to partake in the living history and make this experience more enjoyable for our guests. Their lively energy and youth—not to mention their charming singing voices—are a particular favorite during the holiday season, but they also appear at many of Orchard House’s events throughout the year. This volunteer group offers the opportunity to grow into many different roles at the museum.

Supporting this whole operation are the museum members, who introduce Orchard House to family and friends, and who make possible the continuing preservation efforts necessitated by the 300-year-old structure, which, while charming, requires regular maintenance. Becoming a member offers many benefits, including free admission to the museum and a museum shop discount, while supporting Louisa’s legacy.

Because Orchard House has been open to the public for more than 100 years, there are many who feel they have grown up at Orchard House and experienced its many stages. These stewards often return to the museum after years away, bringing myriad talents that continue to promote awareness about the Alcott family, their writings and work, and their messages about charity, equality, and creativity. These particular stewards offer their expertise in fields such as creative writing, public relations, and web design to keep the Orchard House as current as it is historic.

Stewardship is an especially pertinent and personal subject for me; I came to Orchard House as a volunteer in the garden several years ago, as a recent college graduate looking to explore different fields of work. I never imagined that the gardening I offered would blossom into a passion for the lives of the Alcott family that has influenced so much of my life. I was weeding under the lilacs one day when a visitor left the museum enthusiastically talking about the communal experiment at Brook Farm. “Where was it?” she asked her friend, who did not have an answer.

“In Roxbury, Massachusetts,” I offered, peeking out from under the tree and shaking the dirt off my gloves, and as we delved into conversation about the relationship between Brook Farm and Mr. Alcott’s Fruitlands experiment, I realized that I had an irreplaceable opportunity while surrounded by this historically rich environment. In the past several years, I have worn many hats at Orchard House (including blog-writer), and Orchard House always leaves the door open for me, offering new capacities for me to give back to the place the has given so much to so many.

This is the place I return to, the place I call home.

As a part of the documentary about Orchard House, you too have the opportunity to become a steward of this beloved place, to perpetuate a legacy that began hundreds of years ago. To call Orchard House "home." This opportunity is fully explained at our Kickstarter Campaign page and on our website.

Without an entire network of people dedicated to the support of Louisa May Alcott’s museum, including donors, volunteers, and stewards of all sizes and types, Orchard House could not be home to so many, or to show its bright face every morning to a new crowd of visitors. Through the dedication of our stewards, Louisa May Alcott’s Orchard House retains its cohesiveness of vision as generations pass, preserving our history and the Alcott legacy, and opening the door for years to come.

17 September 2014

#PledgeYourLove to Orchard House - Back our New Documentary on Kickstarter!

https://www.kickstarter.com/projects/632439913/orchard-house

Help us create the first-ever documentary about Orchard House!
Guess what? Orchard House is making a movie - the first documentary about the 350 year history of the house - and we want YOU to be involved in creating the film.
For those who may not be familiar, Kickstarter is dedicated to fundraising for creative projects just like this. Funding is all-or-nothing, which means we need to raise every penny of our goal by October 22, 2014 through pledges to our online campaign. 
Pledges  start at just $1.00 and donations of all amounts are welcome and encouraged. There are even some great rewards for our backers. #PledgeYourLove to Orchard House and become part of our legacy! 

28 August 2014

Louisa May Alcott & Uta Pippig Team Up for the Annual Orchard House Walk/Run!


http://www.active.com/concord-ma/running/distance-running-races/9th-annual-benefit-5k-10k-run-and-5k-walk-for-louisa-may-alcott-s-orchard-house-with-uta-pippig-2014
At first glance, these two women may not appear to have much in common.  Louisa May Alcott (left) is best known for writing children's stories in the nineteenth century, while Uta Pippig (right) is an international marathon winner and founder of Take the Magic Step (c), a foundation for advocating healthy and active lifestyles.
Don't be mistaken! Though separated by centuries, these strong, independent women are much more alike than they seem.

Did you know, for example, that Louisa was an avid runner?  She once wrote,
"Active exercise was my delight, from the time when, as a child of six, I drove my hoop around the Common without stopping, to the days when I did my twenty miles in five hours and went to a party in the evening."

While growing up in Concord, Louisa described many instances of  brisk morning runs in her journal, where she wrote,
"I always thought I must have been a deer or a horse in some former state, because it was such a joy to run."

In the spirit of advocating this lesser known aspect of Louisa's life and work, Orchard House Executive Director Jan Turnquist began the 10k/5k Run and 5k Walk for Louisa May Alcott's Orchard House in 2006.  Over the past eight years, this fundraiser has proven to be one of the most anticipated events on the Orchard House calendar, and with 19th century games and living history actors, there are festivities for all ages.


http://www.active.com/concord-ma/running/distance-running-races/9th-annual-benefit-5k-10k-run-and-5k-walk-for-louisa-may-alcott-s-orchard-house-with-uta-pippig-2014
Executive Director Jan Turnquist as Louisa May Alcott, participating in the race in her hoop skirt!

Louisa May Alcott took five hours to walk to Boston, and Uta Pippig is also familiar with the twenty miles it takes to get into the city-- 26.2 miles, in fact--and she became the first woman to win the Boston Marathon three consecutive times, from 1994 to 1996.

Pippig has served as Honorary Chair of the Walk/Run since the beginning, and Orchard House is so pleased and honored to announce that she will be in attendance this year.  After all, a love of running is not the only thing these two women have in common; with a spirit reminiscent of Louisa's interest in reforms and advocacy, Uta Pippig is an inspirational woman striving to help people make healthier habits and lead healthier lives.

http://www.active.com/concord-ma/running/distance-running-races/9th-annual-benefit-5k-10k-run-and-5k-walk-for-louisa-may-alcott-s-orchard-house-with-uta-pippig-2014
Uta Pippig congratulates the male champion of the 2011 Walk/Run
The 9th Annual Walk/Run will take place on September 14th at 12 noon at the Alcott School in Concord, Massachusetts. 

Bringing together the force of these two women will undoubtedly make this year's Walk/Run an unforgettable event!  Register online now at our active.com site or visit the Orchard House website for more information.

08 August 2014

Finding the Beauty Everyday - Reflections on our "Write Stuff!" Youth Writing Workshop

"I find it impossible to invent anything half so true or touching as the simple facts with which every day life supplies me," wrote Louisa May Alcott to Mary E. Channing Higginson on October 18, 1868.

Today, over a century later, I find myself feeling the same way as Louisa. This past week I had the privilege to lead "Write Stuff!", a summer writing workshop for kids, with the invaluable help of Lis Adams and Victoria Salemme, as well as all those associated with Orchard House, past and present.

Embarking on a weeklong journey of creative writing with a group of strangers struck me as a somewhat daunting task. I did not doubt that participants would be wonderful, but, still, I suspected that asking participants to compose, and sometimes share, writing with a group mere hours ago unknown to them might be exhilarating, yes, but also potentially terrifying, even unthinkable.

To be more fully equipped for this experience, workshop members were asked to select and bring in their own "scribbling suit." This idea was inspired by Louisa who often wore one while writing; hers included a black apron handy for wiping her pen as well as a black hat with a red bow.

On day one of our writing adventure, after touring Orchard House together, we played "get to know you" games. Participants were asked to write three facts about themselves, making one true and two invented using their imaginations. Next they each received three slips of paper and wrote a descriptive sentence on each, two in the first person and one in the third but all autobiographical in nature. Upon completion, they placed them in our "household" mailbox (a decorated box--inspired by Marmee's Household Post-Office for her daughters as a way, "to interchange thought and sentiment"), passing it around and guessing the writer.

The next day one girl eagerly asked something like, "When's the mail coming?! Maybe the mailman should come! I know, we can be the mailmen today, and you two can guess who wrote what!" They all seemed quick to like this idea, and with much excitement, took turns walking around pretending to be delivery people and bestowing their compositions on us readers. It seemed Marmee's idea withstood the test of time.

One morning we began in the Parlor, writing song lyrics. Then each took turns donning a costume and reading or singing his/her work. One girl was concerned about this activity; so, I wondered whether she might team up with someone to present. Another girl quickly volunteered to partner up, explaining that she felt nervous, too. Standing side by side, wearing old-fashioned lace gloves, one white and one black, on their outer right and left hands, the two presented. As they stood in the large doorway between the Parlor and Dining Room, with the open curtain, the Alcott sisters' productions (once held in that same spot) no longer seemed like they took place so very long ago.

Thursday morning we walked to the Emerson House Garden. We were very lucky, as Mrs. Gordinier greeted us and even explained a bit about the Emerson House. One participant exclaimed that he'd like to move here; that he loved this place! As luck would have it, he had a $20 bill along and began asking how much of the Garden his fellow participants thought he could buy with it. Ideas flew, but in the end, it was decided that he might like to work there someday--that that might do the trick.

These moments chronicle just a few workshop experiences. Part of a week during which, with enthusiasm and humor, our group "wrote" their own story, day by day. A story both touching and true.